The results obtained with the latest iteration of this filter are now noticeably better in quality. From user responses to the results, the machine learning appears to have improved. Each time you choose to colourise a photograph in Photoshop, a preview of the image is uploaded to the Adobe server. Compare this with attempts to apply a basic level of hand colouring to an image, whether by traditional methods or digital. The early iterations of this filter were impressive for their instant results from a single click of a button. This makes use of machine learning to automatically analyse and then colourise a photograph. Fortunately, Adobe has recently added a colourising feature to the Neural Filters in Adobe Photoshop. Adobe AI Neural Filter – Big time-saverĪs retouching jobs go, restoring an old black & white photograph and hand colouring the final image can still be a tricky, complex task. We have all probably seen good examples of digital hand colouring work and admired the skill applied to make the colouring – in particular skin tone – look realistic. Today’s retouch artists can work entirely on a computer, allowing easy correction of mistakes, and the gradual build up of the colouring effect, with confidence. Plus, it was not uncommon for a small mistake to ruin a photo and James would have to start from scratch with a new print. I remember how long it would take to retouch each photograph. His studio included a retouching desk where he retouched and hand coloured his black & white prints (see the book Painted Ladies by James Wedge). Back in the 1980s, I worked as full-time assistant to the photographer James Wedge.
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